This exhibition serves as our tribute to tragic events since October 7th, reflecting on our feelings, experiences, and attempts to cope with grief. It's also a dialogue with the historically milestone exhibition "When Attitudes Become Form," curated by Harald Szeemann (1969). We aim to explore what art can be in times of terrible, when the border between art, life, and death becomes uncertain and flickering. 

The international multimedia exhibition SHELETER brought together dozens of artists expressing their sympathy for the victims of the 7 October terrorist attack and the hostages taken by the Hamas terrorist group. The exhibition was realised on the basis of #ArtistsStandsWithIsrael project organised by KadelArt and SVIVA art space.

The international project #ArtistsStandWithIsrael calls on artists to support Israelis in these difficult times. The artworks are projected by galleries and volunteers on the city streets around the world, and the offline exhibition opens in Tel Aviv on 30th of November. So far more than 300 artists from 20 countries, including Israel, Canada, Poland, Ukraine, the USA, Slovakia, France, Russia, Great Britain, Taiwan, etc – have joined the project.

A site-specific laboratory and exhibition in the Neve Sha'anan neighborhood of Tel Aviv. The artists invited to the site-specific laboratory, the debut project of the emerging art space SVIVA, were mostly new repatriates for whom participation became an opportunity of deeper immersion into the Israeli context and an understanding of their place within it. Various artistic practices were organized to truly engage participants with the district's territory and its communities, unveiling its urban multilayeredness: meetings with Neve Sha'anan residents, municipal representatives, interdisciplinary lectures by experts, interactions with local cultural and social figures, tours, etc.

The exhibition project "What's NEXT?" presents works that speak in different languages of visual art, ranging from classical to the most contemporary and experimental. The dialogue between artists of different generations and cultures is built around the idea of continuity in the timeline and the search for answers to the question "what's next?", including in our past and present.

The exhibition plunges into the subjective-philosophical and mystical space described by one of the most sought-after and mysterious writers of our time, Viktor Pelevin, in the novel "Chapaev and the Void" - Inner Mongolia. The exhibition project turned out to be two-part: if in the first part, presented in March 2023, the main artistic research took place in the continuum of man-body-neurosis-escape-nature, then in the second part the search is conducted on the territory of the city in internal, private and external public spaces.

The exhibition immerses in the subjective, philosophical and mystical space described by Viktor Pelevin - Inner Mongolia. It's More than 30 contemporary artists give the key through bodily and natural to the search for this territory outside of registers and official jurisdictions. The works of artists help to give the key to finding this place, free, intimate, timeless, personal, independent and, perhaps, inexplicable to the end, the space of the experience of meeting oneself as a whole and as part of something greater.

At historical moments when the world is changing especially rapidly, it might be very important for a person to notice "the zones of a slow time motion" — places where the artefacts of the past don’t hurry to disappear, weaving into the fabric of the present, preventing a total change of epochs.

For several months the group of artists explored the area of the district as a Place and Community through the walks, lectures, meetings with local residents, excursions and history studies. The results of the laboratory were shown on the site-specific exhibitionin the Bogorodskoye gallery.

The exhibition opens a dialogue space for reflection on the path of an artist facing a situation of censorship, possible political persecution for openly expressing views.
What an artist shell to do? To invent a new safe language or boycott artistic practice? To remove dangerous topics from creativity or remove creativity from a place where these topics are dangerous?
To make the fact of censorship part of an artistic device or ... ? It is important that in this project an international artistic dialogue is born with the participation of authors from Israel, the USA, Ukraine, Belarus and Russia.

 "Honeymoon" is the first and the most pleasant stage of cultural adaptation to a new country.
The works of the artists invite you into the visual "Honeymoon" of Alanya, immersing yourself in which you can notice more complex themes of interaction with the environment.
The exhibition took place in a future office building. The construction works stopped for the duration of the exhibition and "HONEYMOON" appeared in this space as a link between the past and the future, between visitors to the region and locals, as a beautiful dream of Alanya.

More than 30 participants in their artistic and scientific works try to look beyond the horizon of time through the prism of changing ethical and aesthetic norms, ongoing problems in the fields of current anthropology, ecology, physics, genetics, urban studies and other significant areas, through their own fantasies, expectations, premonitions and facts.

The opening program will include performances from the art group "Neuro-Sincerity – "Licorice Manifesto" and from Elena Shaimanova and Natalia Skulakova - "Don't forget to save".

Home sweet home. What is it like? Is it a lifeless box of four walls and a minimal set of furniture, as in the installation of G. Schneider "Dead House", or is it a space of comfort and trembling memories flooded with warm sunlight, as in the paintings of the post-impressionist E. Vuillard?

The exhibition "HOME SWEET HOME" is an independent curatorial project, and its key idea is to see closed "personal areas" through the eyes of contemporary artists.